In 1991, she landed a last-second addition as a support act for Morrissey. This first big break not only led to more dates with the popular British rock crooner, but also laid the foundation for Ferrick's reputation as a dynamic live act. A recording contract with Atlantic Records followed in 1993, as did her debut album, "Massive Blur." The album garnered glowing reviews, as did her sophomore effort two years later, "Willing to Wait." Although she enjoyed success with Atlantic, Ferrick elected to go in another direction in the wake of "Willing to Wait." She released five studio albums and four live albums as an Indie artist over the next 12 years. Her second live album during this period, "Live at the B.P.C." (2000), marked the first release on her personal label, Right On Records.

Often described as folk singer, Ferrick's inspiration truly flows from a love of rock`n' roll. During her impassioned live performances for instance, she'll occasionally crack out a Zeppelin-style riff or tinker with a little Red Hot Chili Peppers vocal improvisation. These touches however, only sharpen the intensity of her wildly popular live shows.

A desire to explore a rock vibe has crept more into Ferrick's music in recent years.

Ferrick ranks among an elite group of female guitarists who'll brave the stage alone and leave it with the house cheering for more. Some of the biggest names in folk-rock-pop music, such as Ani DiFranco, PJ Harvey, Neko Case and Liz Phair, have tackled standing under the spotlight alone at one time or another during their illustrious careers. The same can be said for Ferrick- except for one notable difference. She has made it something of a signature to go before her audiences armed with only her guitar and a set list.